Todd it was very refreshing to read the interview and learn of your journey and get an overall feel of how you feel about wood working..since Ive been here i have always been impressed with remarks made by others after they had met with you or you had given them help with a certain wood working problem…i applaud your journey and what you have achieved, may your success continue and i look forward to what else will come our way from you and from your shop…grizzmanTodd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
LJ Interviews
5
Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
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Thanks MsDeb for the coverage and Grizzman for such kind words.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
I appreciate the inspiration. Sometimes if I am having a tought time with a project it seems to help doing routine stuff that allow me to think while my muscles memory or sanding or whatever I will zone out and it and will come to me what I was doing wrong. But it time in the shop not at the computer that does it.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Todd has been an inspiration for me. He is such a driven, hard working person, that you can tell about him. You just have to respect him for that. I would not be surprised to someday hear some say, " that's a Clippinger piece".Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Todd is a good friend and always an inspiration. When you can get your hands on that sofa table it is even more impressive than in the photos. Other than talking Rita into marrying him, I think it is the best thing he's done, so far. I expect great things to come and will be watching.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Thanks Thos and everyone.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
I am working on more good things to come…
Great news letter MSDebbie and super interview with Todd a long time Ljer that always has good post and information. ThanksTodd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Wow! Great interview of an incredable craftsman!Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Great interview Todd. You are always there to help out a fellow lumberjock. Truely a staple of this community. ThanksTodd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
It was an article in the Billings Gazette about Todd that brought me to LJs. Thanks Todd, MSDebbie.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Todd, you certainly are a man with great talent & skill.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
saw your website when I first joined… very impressive. good article.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
On a roll bud. Great stuff. When can i get a hat? (autographed of course)Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Congrats, Todd.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Thanks everyone.Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
Troy - I just OK'd the embroidery today and placed my first order of hats
I want one too!!!Todd A Clippinger
March, 2010
This month, for our LJ eMag, we meet with Todd A Clippinger and learn a bit about his woodworking journey.
1. How did you find LumberJocks and what was the key feature of the site that kept you coming back?
Not long after I bought my computer I was talking with my local tool supplier about some ideas that I had for doing woodworking videos online. He told me about this guy that calls himself the "Wood Whisperer" who was doing video.
When I checked out Marc Spagnuolo's site, I found the link to LumberJocks. The world-wide community is just incredibly generous and friendly, that is what kept me coming back.
2. Tell us a brief history of your woodworking journey
My woodworking journey has it's roots in my remodeling career. I was doing a lot of work on older homes from the 1920's and 30's and I always loved the original style trim work and built-ins. I was usually tearing out poorly matched remodels from the 70's and 80's that had been inflicted on these beautiful old homes and I often needed to fabricate the trim myself. It was here that I developed my hand and tool skills.
To understand what I was working on, I looked into architectural history and discovered the Arts&Crafts movement, Art Nouveau, Art Deco, the Prairie School, Greene&Greene plus the key figures associated with the styles. Then I found out there were contemporary woodworkers interpreting these styles in a modern vernacular and I was hooked.
3. I can often tell when a project is one of yours; what do you think defines a "Todd A Clippinger" piece?
This is kind of a hard question for me to answer. It almost needs to be someone on the outside looking in to point out what it is that says "Todd A. Clippinger." My work goes from a Shaker bench to a very contemporary closet design. But there is something about it that all ties together.
Often, there is a certain way an individual interprets materials and assembles elements that creates a personal style. I love contemporary interpretations or a modern style that reflects a traditional one. I love curves and arches, when appropriate I try to get them into my work.
4. Your work is very artistic, where do you get your inspiration?
I am greatly influenced by the study I have done of the historical figures and movements. The influence may or may not be directly seen in the project, but it is always in my head interacting as I design.
My wife and I visit art galleries and we know a lot of artists that work in various mediums. Talking to them is stimulating to my creative process.
My best ideas and design solutions seem to occur when I am taking a walk with my wife and the dogs. There are all these influences and logged ideas in my head and they seem to breakthrough on their own when I relax and am just enjoying time out with Rita and watching our happy dogs run.
5. What do you find to be the most challenging part of woodworking and what is the most rewarding?
In building a freestanding piece of furniture it is easy to figure out a pleasing proportion and there is a freedom of expression. But I am usually working with a specific set of parameters such as space, style, and budget. The most challenging aspect is to come up with a design that fits all of these requirements at the same time.
The most rewarding part is reaching that break through moment when I nail it with a good design and it fits all of the requirements. The project as a whole is a visual, tactile, and cerebral experience that is satisfying in every way and happy clients are a great part of the reward.
6. What is your "most" favourite project created to date?
I am emotionally attached to all of my projects, but the one I am most fond of is the Mahogany Sofa Table. This was the first project that I really expressed myself and would consider it to be on the higher plane of fine woodworking and design.
I made the table for my wife, Rita, and we have it here in the house. It is such an easy piece to look at, I really nailed it with interpretation of materials and the proportions. It was part of the portfolio that got me juried into the 2007 Western Design Conference.
7. Where can people find you on the internet (website etc)?
www.amcraftsman.com
The website is very static because it's primary function is an online portfolio for potential clients. I have more work on display at LumberJocks.
8. What is the biggest tip you can give people starting their journey into woodworking?
Spend lots of time in the shop and less on the computer.
As you are building in the shop, many things are happening. Hand-eye coordination and muscle memory is developing which creates skill. A sense of understanding for volume, mass, and proportions will develop as you build as opposed to just drawing. Also, greater creativity will be generated as the principle "One Idea Begets Another" occurs.
9. Anything else you'd like to share with your fellow LumberJocks?
Don't be afraid to push your personal limits on a technical and creative level.
I have had some redo's in my projects and had to figure out some master level repairs for situations that have gone awry. But everything has pushed my work and skills to the next level.
Thanks to Todd for taking the time to do this interview (and for all the support he provides to our site and our members!)
4
Thos. Angle
April, 2010
This month, in our April issue of our LumberJock eMag, I had the privilege of interviewing Thos. Angle.
1. How did you find LumberJocks and why did you join?
First, let me say what an honor it is to be asked to do this interview. I can't remember how I found Lumber Jocks. Maybe from Fine Woodworking Magazine. I know I instantly joined and felt at home.
2. you are known as our LumberJock cowboy but we also know you as the woodworker who is a master craftsman when it comes to leather work. Tell us a bit about your woodworking journey and how the leather work fits in.
I really got interested in wood working in 1978. I hired on at a state mental institution in a sheltered workshop. I supervised a crew building pallets. There was an unused wood shop there. It was all old Delta equipment. There was a Unisaw, jointer, bandsaw, RAS and drill press. In years past this shop had been part of the old Occupational Therapy Department. I bought a ShopSmith and began to set up my own shop. I think I built a table and a cradle and a few other things before I headed back to ranching. It seems as though wood just became part of a strange group of things in my life that included leather work, art, music,cows and horses. The next time was in 1990 when Carleen and I bought a ranch. I needed to build things and again bought a ShopSmith. I built lots of projects for the house and remodeled the upstairs into a bed and breakfast. Woodworking became an on and off thing as the ranching and cattle grew and took over most all my time. When we sold the ranches off in 2005, I moved my ShopSmith into my new shop in Jordan Valley. Carleen and I decided that there was no time like the present to try our dream of combining my Woodworking with my leather work.
For a long time I had felt that hand carved leather was a natural to add decoration to woodwork. I felt that it would be of definite appeal to those who adhere to the western lifestyle. Because most leather carving follows classic design as does wood carving, stone carving and engraving, It is easy to incorporate designs in leather into almost any style of furniture by changing the style of the carving. Almost any type of art can be interpreted on to leather. This includes,pictures, Celtic designs and anything else the leather artist can think of. The only limit is your imagination.
3. I notice you have been commenting on discussions about marketing through social networking. What are you currently working on and what does your future hold for you?
Frankly, the interest in Social Network Marketing is more to do with my employment by Snake River Ranch in Jackson Hole, Wyoming. I will be doing some marketing there and need to keep up with what is working in other than traditional venues. I can see that when I retire we might be able to use this form of marketing to advantage with the shop. That doesn't sound much like I'm going to retire, does it?? Maybe just not ride for a living anymore.
4. In regards to your woodworking and leather working, who/what has been your greatest influence?
While I have studied Maloof and Krenov, I never adopted their styles as much as their attitude and approach to creativity. I've looked at the Shakers, Chippendale, Hepplewhite, et al. Garrett Hack and Lonnie Bird come to mind. I guess everyone in some way influences my work. I keep track of a whole bunch of talented Lumber Jocks and am not afraid to steal a page from their book at every opportunity. Todd, Les, Dennis, Charlie, Mark, Tommy, Lee and the list goes on and on.
In leather working, there is no doubt that my main influence is Don King. However, Dick Swanson, Tommy Hacking, Brad McClellan, and a whole lot more have contributed unknowingly to my work.
5. If someone wanted to combine their woodworking with leatherwork, what would your best piece of advice be?
The skill levels in both disciplines must be equal. Excellent woodworking will not cover up poor leathercraft or the other way around. Also the style of woodworking needs to compliment the style of leatherwork.
6. What is your favourite project that you've created?
I would have to say the Walnut Wall Cabinet with leather panel in the door(see my projects). However the Kitchen at 404 Blackaby Street is pretty close.
7. When you last moved, you sold all of your equipment and are now focusing on hand tools. Is there one piece of equipment that you really miss and perhaps will replace?
I really miss my table saw. Eventually, I hope to replace all the machinery.
8. Do you have a website?
At the present I just send folks to Lumber Jocks to view my work. I had a web page for a while but nothing came in from it. Maybe in the future we will build one.
9. Best tips for woodworker?
Never stop learning. You can learn from almost any one. Never be afraid to try something new. Push your own horizons to the limit. I will use my false teeth to shape wood if they are the best thing to to do the job. The wood doesn't care how it is shaped as long as it is shaped correctly. Table saw, handsaw, Planer or handplane it makes no difference to the wood. Learn good design and design before you build. Allow design to follow function. Allow the wood to speak for itself and lastly; put some of yourself into each piece.
10. Anything else you would like to say?
I was blessed(or cursed). While in high school, I was fortunate to receive 4 years of college level art courses from a wonderful teacher named Letitia Alder. It was foundation based and progressed as I progressed. I suppose the habit of studying and learning never went away. There were two of us whom this wonderful teacher really pushed to be all we could be. Mark Maddox became a highly respected architect in the Midwest and I became a cowboy. I've spent the last 40 years trying to get off a horse and make it in the art world in some way.
I've learned over the years that all of us have a fantasy world and our real world. Most of my life my real world has been the fantasy world of many people. I feel I have been very fortunate and blessed to get to do the things I have. My life has never been easy but I've never been bored.
Thank you Debbie for this opportunity.
-Thos. Angle, Jordan Valley, Oregon
Thanks to Thos. for taking the time to do this great interview.
April, 2010
This month, in our April issue of our LumberJock eMag, I had the privilege of interviewing Thos. Angle.
1. How did you find LumberJocks and why did you join?
First, let me say what an honor it is to be asked to do this interview. I can't remember how I found Lumber Jocks. Maybe from Fine Woodworking Magazine. I know I instantly joined and felt at home.
2. you are known as our LumberJock cowboy but we also know you as the woodworker who is a master craftsman when it comes to leather work. Tell us a bit about your woodworking journey and how the leather work fits in.
I really got interested in wood working in 1978. I hired on at a state mental institution in a sheltered workshop. I supervised a crew building pallets. There was an unused wood shop there. It was all old Delta equipment. There was a Unisaw, jointer, bandsaw, RAS and drill press. In years past this shop had been part of the old Occupational Therapy Department. I bought a ShopSmith and began to set up my own shop. I think I built a table and a cradle and a few other things before I headed back to ranching. It seems as though wood just became part of a strange group of things in my life that included leather work, art, music,cows and horses. The next time was in 1990 when Carleen and I bought a ranch. I needed to build things and again bought a ShopSmith. I built lots of projects for the house and remodeled the upstairs into a bed and breakfast. Woodworking became an on and off thing as the ranching and cattle grew and took over most all my time. When we sold the ranches off in 2005, I moved my ShopSmith into my new shop in Jordan Valley. Carleen and I decided that there was no time like the present to try our dream of combining my Woodworking with my leather work.
For a long time I had felt that hand carved leather was a natural to add decoration to woodwork. I felt that it would be of definite appeal to those who adhere to the western lifestyle. Because most leather carving follows classic design as does wood carving, stone carving and engraving, It is easy to incorporate designs in leather into almost any style of furniture by changing the style of the carving. Almost any type of art can be interpreted on to leather. This includes,pictures, Celtic designs and anything else the leather artist can think of. The only limit is your imagination.
3. I notice you have been commenting on discussions about marketing through social networking. What are you currently working on and what does your future hold for you?
Frankly, the interest in Social Network Marketing is more to do with my employment by Snake River Ranch in Jackson Hole, Wyoming. I will be doing some marketing there and need to keep up with what is working in other than traditional venues. I can see that when I retire we might be able to use this form of marketing to advantage with the shop. That doesn't sound much like I'm going to retire, does it?? Maybe just not ride for a living anymore.
4. In regards to your woodworking and leather working, who/what has been your greatest influence?
While I have studied Maloof and Krenov, I never adopted their styles as much as their attitude and approach to creativity. I've looked at the Shakers, Chippendale, Hepplewhite, et al. Garrett Hack and Lonnie Bird come to mind. I guess everyone in some way influences my work. I keep track of a whole bunch of talented Lumber Jocks and am not afraid to steal a page from their book at every opportunity. Todd, Les, Dennis, Charlie, Mark, Tommy, Lee and the list goes on and on.
In leather working, there is no doubt that my main influence is Don King. However, Dick Swanson, Tommy Hacking, Brad McClellan, and a whole lot more have contributed unknowingly to my work.
5. If someone wanted to combine their woodworking with leatherwork, what would your best piece of advice be?
The skill levels in both disciplines must be equal. Excellent woodworking will not cover up poor leathercraft or the other way around. Also the style of woodworking needs to compliment the style of leatherwork.
6. What is your favourite project that you've created?
I would have to say the Walnut Wall Cabinet with leather panel in the door(see my projects). However the Kitchen at 404 Blackaby Street is pretty close.
7. When you last moved, you sold all of your equipment and are now focusing on hand tools. Is there one piece of equipment that you really miss and perhaps will replace?
I really miss my table saw. Eventually, I hope to replace all the machinery.
8. Do you have a website?
At the present I just send folks to Lumber Jocks to view my work. I had a web page for a while but nothing came in from it. Maybe in the future we will build one.
9. Best tips for woodworker?
Never stop learning. You can learn from almost any one. Never be afraid to try something new. Push your own horizons to the limit. I will use my false teeth to shape wood if they are the best thing to to do the job. The wood doesn't care how it is shaped as long as it is shaped correctly. Table saw, handsaw, Planer or handplane it makes no difference to the wood. Learn good design and design before you build. Allow design to follow function. Allow the wood to speak for itself and lastly; put some of yourself into each piece.
10. Anything else you would like to say?
I was blessed(or cursed). While in high school, I was fortunate to receive 4 years of college level art courses from a wonderful teacher named Letitia Alder. It was foundation based and progressed as I progressed. I suppose the habit of studying and learning never went away. There were two of us whom this wonderful teacher really pushed to be all we could be. Mark Maddox became a highly respected architect in the Midwest and I became a cowboy. I've spent the last 40 years trying to get off a horse and make it in the art world in some way.
I've learned over the years that all of us have a fantasy world and our real world. Most of my life my real world has been the fantasy world of many people. I feel I have been very fortunate and blessed to get to do the things I have. My life has never been easy but I've never been bored.
Thank you Debbie for this opportunity.
-Thos. Angle, Jordan Valley, Oregon
Thanks to Thos. for taking the time to do this great interview.
I really enjoyed this. Thanks Thos. and Ms Debbie.Thos. Angle
April, 2010
This month, in our April issue of our LumberJock eMag, I had the privilege of interviewing Thos. Angle.
1. How did you find LumberJocks and why did you join?
First, let me say what an honor it is to be asked to do this interview. I can't remember how I found Lumber Jocks. Maybe from Fine Woodworking Magazine. I know I instantly joined and felt at home.
2. you are known as our LumberJock cowboy but we also know you as the woodworker who is a master craftsman when it comes to leather work. Tell us a bit about your woodworking journey and how the leather work fits in.
I really got interested in wood working in 1978. I hired on at a state mental institution in a sheltered workshop. I supervised a crew building pallets. There was an unused wood shop there. It was all old Delta equipment. There was a Unisaw, jointer, bandsaw, RAS and drill press. In years past this shop had been part of the old Occupational Therapy Department. I bought a ShopSmith and began to set up my own shop. I think I built a table and a cradle and a few other things before I headed back to ranching. It seems as though wood just became part of a strange group of things in my life that included leather work, art, music,cows and horses. The next time was in 1990 when Carleen and I bought a ranch. I needed to build things and again bought a ShopSmith. I built lots of projects for the house and remodeled the upstairs into a bed and breakfast. Woodworking became an on and off thing as the ranching and cattle grew and took over most all my time. When we sold the ranches off in 2005, I moved my ShopSmith into my new shop in Jordan Valley. Carleen and I decided that there was no time like the present to try our dream of combining my Woodworking with my leather work.
For a long time I had felt that hand carved leather was a natural to add decoration to woodwork. I felt that it would be of definite appeal to those who adhere to the western lifestyle. Because most leather carving follows classic design as does wood carving, stone carving and engraving, It is easy to incorporate designs in leather into almost any style of furniture by changing the style of the carving. Almost any type of art can be interpreted on to leather. This includes,pictures, Celtic designs and anything else the leather artist can think of. The only limit is your imagination.
3. I notice you have been commenting on discussions about marketing through social networking. What are you currently working on and what does your future hold for you?
Frankly, the interest in Social Network Marketing is more to do with my employment by Snake River Ranch in Jackson Hole, Wyoming. I will be doing some marketing there and need to keep up with what is working in other than traditional venues. I can see that when I retire we might be able to use this form of marketing to advantage with the shop. That doesn't sound much like I'm going to retire, does it?? Maybe just not ride for a living anymore.
4. In regards to your woodworking and leather working, who/what has been your greatest influence?
While I have studied Maloof and Krenov, I never adopted their styles as much as their attitude and approach to creativity. I've looked at the Shakers, Chippendale, Hepplewhite, et al. Garrett Hack and Lonnie Bird come to mind. I guess everyone in some way influences my work. I keep track of a whole bunch of talented Lumber Jocks and am not afraid to steal a page from their book at every opportunity. Todd, Les, Dennis, Charlie, Mark, Tommy, Lee and the list goes on and on.
In leather working, there is no doubt that my main influence is Don King. However, Dick Swanson, Tommy Hacking, Brad McClellan, and a whole lot more have contributed unknowingly to my work.
5. If someone wanted to combine their woodworking with leatherwork, what would your best piece of advice be?
The skill levels in both disciplines must be equal. Excellent woodworking will not cover up poor leathercraft or the other way around. Also the style of woodworking needs to compliment the style of leatherwork.
6. What is your favourite project that you've created?
I would have to say the Walnut Wall Cabinet with leather panel in the door(see my projects). However the Kitchen at 404 Blackaby Street is pretty close.
7. When you last moved, you sold all of your equipment and are now focusing on hand tools. Is there one piece of equipment that you really miss and perhaps will replace?
I really miss my table saw. Eventually, I hope to replace all the machinery.
8. Do you have a website?
At the present I just send folks to Lumber Jocks to view my work. I had a web page for a while but nothing came in from it. Maybe in the future we will build one.
9. Best tips for woodworker?
Never stop learning. You can learn from almost any one. Never be afraid to try something new. Push your own horizons to the limit. I will use my false teeth to shape wood if they are the best thing to to do the job. The wood doesn't care how it is shaped as long as it is shaped correctly. Table saw, handsaw, Planer or handplane it makes no difference to the wood. Learn good design and design before you build. Allow design to follow function. Allow the wood to speak for itself and lastly; put some of yourself into each piece.
10. Anything else you would like to say?
I was blessed(or cursed). While in high school, I was fortunate to receive 4 years of college level art courses from a wonderful teacher named Letitia Alder. It was foundation based and progressed as I progressed. I suppose the habit of studying and learning never went away. There were two of us whom this wonderful teacher really pushed to be all we could be. Mark Maddox became a highly respected architect in the Midwest and I became a cowboy. I've spent the last 40 years trying to get off a horse and make it in the art world in some way.
I've learned over the years that all of us have a fantasy world and our real world. Most of my life my real world has been the fantasy world of many people. I feel I have been very fortunate and blessed to get to do the things I have. My life has never been easy but I've never been bored.
Thank you Debbie for this opportunity.
-Thos. Angle, Jordan Valley, Oregon
Thanks to Thos. for taking the time to do this great interview.
Thank You! Thomas, & Debbie.Thos. Angle
April, 2010
This month, in our April issue of our LumberJock eMag, I had the privilege of interviewing Thos. Angle.
1. How did you find LumberJocks and why did you join?
First, let me say what an honor it is to be asked to do this interview. I can't remember how I found Lumber Jocks. Maybe from Fine Woodworking Magazine. I know I instantly joined and felt at home.
2. you are known as our LumberJock cowboy but we also know you as the woodworker who is a master craftsman when it comes to leather work. Tell us a bit about your woodworking journey and how the leather work fits in.
I really got interested in wood working in 1978. I hired on at a state mental institution in a sheltered workshop. I supervised a crew building pallets. There was an unused wood shop there. It was all old Delta equipment. There was a Unisaw, jointer, bandsaw, RAS and drill press. In years past this shop had been part of the old Occupational Therapy Department. I bought a ShopSmith and began to set up my own shop. I think I built a table and a cradle and a few other things before I headed back to ranching. It seems as though wood just became part of a strange group of things in my life that included leather work, art, music,cows and horses. The next time was in 1990 when Carleen and I bought a ranch. I needed to build things and again bought a ShopSmith. I built lots of projects for the house and remodeled the upstairs into a bed and breakfast. Woodworking became an on and off thing as the ranching and cattle grew and took over most all my time. When we sold the ranches off in 2005, I moved my ShopSmith into my new shop in Jordan Valley. Carleen and I decided that there was no time like the present to try our dream of combining my Woodworking with my leather work.
For a long time I had felt that hand carved leather was a natural to add decoration to woodwork. I felt that it would be of definite appeal to those who adhere to the western lifestyle. Because most leather carving follows classic design as does wood carving, stone carving and engraving, It is easy to incorporate designs in leather into almost any style of furniture by changing the style of the carving. Almost any type of art can be interpreted on to leather. This includes,pictures, Celtic designs and anything else the leather artist can think of. The only limit is your imagination.
3. I notice you have been commenting on discussions about marketing through social networking. What are you currently working on and what does your future hold for you?
Frankly, the interest in Social Network Marketing is more to do with my employment by Snake River Ranch in Jackson Hole, Wyoming. I will be doing some marketing there and need to keep up with what is working in other than traditional venues. I can see that when I retire we might be able to use this form of marketing to advantage with the shop. That doesn't sound much like I'm going to retire, does it?? Maybe just not ride for a living anymore.
4. In regards to your woodworking and leather working, who/what has been your greatest influence?
While I have studied Maloof and Krenov, I never adopted their styles as much as their attitude and approach to creativity. I've looked at the Shakers, Chippendale, Hepplewhite, et al. Garrett Hack and Lonnie Bird come to mind. I guess everyone in some way influences my work. I keep track of a whole bunch of talented Lumber Jocks and am not afraid to steal a page from their book at every opportunity. Todd, Les, Dennis, Charlie, Mark, Tommy, Lee and the list goes on and on.
In leather working, there is no doubt that my main influence is Don King. However, Dick Swanson, Tommy Hacking, Brad McClellan, and a whole lot more have contributed unknowingly to my work.
5. If someone wanted to combine their woodworking with leatherwork, what would your best piece of advice be?
The skill levels in both disciplines must be equal. Excellent woodworking will not cover up poor leathercraft or the other way around. Also the style of woodworking needs to compliment the style of leatherwork.
6. What is your favourite project that you've created?
I would have to say the Walnut Wall Cabinet with leather panel in the door(see my projects). However the Kitchen at 404 Blackaby Street is pretty close.
7. When you last moved, you sold all of your equipment and are now focusing on hand tools. Is there one piece of equipment that you really miss and perhaps will replace?
I really miss my table saw. Eventually, I hope to replace all the machinery.
8. Do you have a website?
At the present I just send folks to Lumber Jocks to view my work. I had a web page for a while but nothing came in from it. Maybe in the future we will build one.
9. Best tips for woodworker?
Never stop learning. You can learn from almost any one. Never be afraid to try something new. Push your own horizons to the limit. I will use my false teeth to shape wood if they are the best thing to to do the job. The wood doesn't care how it is shaped as long as it is shaped correctly. Table saw, handsaw, Planer or handplane it makes no difference to the wood. Learn good design and design before you build. Allow design to follow function. Allow the wood to speak for itself and lastly; put some of yourself into each piece.
10. Anything else you would like to say?
I was blessed(or cursed). While in high school, I was fortunate to receive 4 years of college level art courses from a wonderful teacher named Letitia Alder. It was foundation based and progressed as I progressed. I suppose the habit of studying and learning never went away. There were two of us whom this wonderful teacher really pushed to be all we could be. Mark Maddox became a highly respected architect in the Midwest and I became a cowboy. I've spent the last 40 years trying to get off a horse and make it in the art world in some way.
I've learned over the years that all of us have a fantasy world and our real world. Most of my life my real world has been the fantasy world of many people. I feel I have been very fortunate and blessed to get to do the things I have. My life has never been easy but I've never been bored.
Thank you Debbie for this opportunity.
-Thos. Angle, Jordan Valley, Oregon
Thanks to Thos. for taking the time to do this great interview.
I also enjoyed this interview.
It also gave me a chance to view some of your spectacular projects I've missed.
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