LumberJocks Woodworking Forum banner

Project Information

I have been fortunate to get another great gilding job.

The client who sponsored me years ago to learn gilding had a huge painting, one of those with the gold background with a huge dark walnut frame.



He asked us to add some gold to it to tie it more to the painting. We proposed different versions using photoshop.











The third one was selected with water gilding on the inside carving "entrelac" with burnishing on the highlights and oil on the outside rail and bead ornement.

We were able to take of the inside elements without problem, because water gilding means you really wet the place when gilding and no finish really likes it. We had to do numerous repairs especially on those delicate rails and beads decoration. Those are so hard to turn when you are not a turner.



Applying gold leaf on the clay



Then the pieces are burnished on the highlights







Then the rail and bead were oil gilded with gold leaf also. wear and tare and dirt were added, and I kinda like the result from that





to that



Gallery

Comments

· Registered
Joined
·
29 Posts
You do excellent work Pat. Very nice.
 

· Registered
Joined
·
5,279 Posts
Nice Patrice, a lot of fine work but the result speaks for itself.
Thanks
 

· Registered
Joined
·
415 Posts
Beautiful work Patrice, Its always a pleasure to see what you guys are doing!
 

· Registered
Joined
·
1,106 Posts
I would not have suspected that the ornamentation was made of clay. I thought the frames were carved wood. This must make the piece quite heavy and fragile. Excellent work and documentation.
 

· Registered
Joined
·
158 Posts
Wow, sure a lot of work went into this project. Turned out fantastic, the gold gilding sure adds another dimension to the entire piece. I was surprised to learn the pieces were clay, not wood as well.
 

· Registered
Joined
·
1,171 Posts
Patrice,

It is always so informative and interesting to see what you are doing. Isn't Photoshop great for giving your client a preview? That photograph with the frame leaning against the wall helped me to understand just how large it is! What a huge undertaking!

You work on so many interesting projects. Can you tell us anything about the picture, i.e. circa, country of origin? Thanks for sharing.

L/W
 

· Registered
Joined
·
13 Posts
Sure makes a difference to that painting
 

· Registered
Joined
·
209 Posts
Thank you guys for your comments.

mmh an CalgaryGeoff, the ornementation itself is not made of clay but carved in wood. The water gilding process require to cover the wood with multiple layer of gesso, then a mix of clay and rabbit skin glue. the myx clay and glue is what makes the gold sticks and the clay in the mix is what is burnished and make the gold shinier. If you are interested I had describe more in depth the process in those posts
http://lumberjocks.com/Patricelejeune/blog/series/6397
http://lumberjocks.com/Patricelejeune/blog/series/6396

Yes it is hard to show proportion with no one standing next to it. I could have sworn we took a picture of when I was water gilding to show the proportion but it is lost in digital limbo I guess.

The picture is italian for sure, but the period is hard to say. This could be 15th century if it is an original, giotto period, where the gilded background where classic. But, if it is an original, that, I do not know.
 

· Registered
Joined
·
1,171 Posts
Patrice,

Thanks for the additional information. I enjoy learning, although I never liked school. It is so much nicer to learn here and you are an excellent teacher.

L/W
 
Top