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I collected tons of cut Alaskan Birch (a sub species of North American White or Paper Birch) from a new road area near my home in the MatSu Valley. The figure and character of Alaskan Birch depends entirely on where it grows. In the deep swamp where there is little light, the trees grow very little from year to year and the grain is dense like hard maple with tight figure and large amounts of brown heart and burl - this is the wood I usually work in. In the open, in Alaska's 22 hours of sunlight summers, the wood grows quickly, it's soft like soft maple or pine, and is usually white in color with straight grain - i.e. boring. Good mostly for firewood. The several tons of birch I got from the road cutting was of the later type - but, hey, free turning stock, not like I'm going to turn it down.

The question then, was how to make it more interesting? Carving and aniline dye was my answer. This bowl was turned green to rough, allowed to dry for a year in the shop until it was around 8%, finished turned and then dyed, carved, sanded, dyed, sanded, and dyed again, building layers of color and character. The idea was to create something that looked as if it had grown that way, like coral. The finish is twenty coats of very thin wipe-on poly gloss. It's about 14" in diameter.

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How could you possibly make it more interesting that what you have? It's fabulous as it is!!! The carving, the color, everything!
 

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I meant that the wood wasn't very interesting - which is why I choose to dye and carve it.
 

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Good job. The colour is awesome. You have a lot of patience to wait so long to finish the project.
 

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Wow Jim, ALL of your works so far have been awesome! You have talent!

Erwin, Jacksonville, FL
 

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Fantastic work. Wonderful caving and dye/finish. Great eye for art.

Keep it up.

Scrappy
 

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Cant add to what has already been said -but WOW!
Your work is incredible, I love it, as it is soooooo different yet still some semblance of reality.
 

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This bowl really speaks to my spirit. Nicely done…....
 

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Holey Moley! This is awesome and very creative! Way to think ouside the box! You hit this one out of the park for sure!
 

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That is just so cool. What a wonderfully beautiful vessel.

Steve
 

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Gorgeous work of art. You have a nice eye for color and design and form. You definately worked some magic here.
 

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It is absolutely beautiful. You really did a great job in making it look 'natural'. Awesome!

Sheila
 

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WOW!!! Now that is a wonderful piece of art. I hope someday to do work that beautiful!!
 

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What a wonderful piece!
 

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Oh this is wonderful. And at 14", it is bigger than many examples of enhanced work. You did a great job on this piece, and the built up finish is amazing. Thanks for sharing!
 

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Beautiful work on all four of your last postings. The use of the dye and carving have clearly transformed a "dull" piece of wood into a work of art.

With waiting a year for drying, you must have a lot of work in the system at any given time.

Thanks for posting.
 

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Bill, yes, I usually have twenty to thirty turning projects in various stages of development at any one time, sometimes more. Spalting and green turning take a lot of time to do right. And whenever I don't have green turned projects ready for the next stage I turn birdhouses out of hardwood stock, or pens, or I make furniture.
 

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Excellent shape. The carving is magnificent and the coloring really pops. Great way to make a mundane grain come to life….I will definitely have to rethink my blanks selection now. Considering how much time is spent hunting for those perfect blanks that will have good figure, good color….and stay stable…..I have seen alot of hackberry and walnut that gets passed by because it is mundane - and usually it goes really cheap. The cost of highly figured and, hopefully, stable blanks is rediculous….especially for a hobbyist. I find myself turning everything I can get my hands on hoping to get lucky on the character of the wood…...I haven't really caught on to the dyes….but will now have to experiment more with them.
 

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reggiek, try the Transtint aniline dyes from Woodcraft. They come in powered form, can be mixed with either water or alcohol and are brilliant in color. Very easy to use and they can be mixed or diluted to produce different shades.

Though I do buy turning stock, both domestic and exotic stuff, for special projects or if I see something on sale, I usually work in Alaskan birch which I cut and haul myself. However, you can often get tons of free wood at the landfills or from tree trimming services or found downed in people's yards after a storm. I knock on the door with my chainsaw in hand and ask if they want the tree or limbs removed and hauled away for free. You can turn anything, if the wood is boring then you can carve it or dye it or add in accent pieces of stone, exotic woods, or other shiny things to make the piece more interesting. I hunt the bargain bins at the Lowes and Home Depot and such for pewter or chrome or brass drawer knobs or bits and pieces that might make neat finials for box lids or turned ornaments or birdhouse, and I usually find handfuls for 15 cents or less. You're only limited by your imagination.
 
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