Project Information
Sometimes, as a carpenter you end up making something "against the grain" because that is what the customer wants, but when you design from the spirit it becomes a refinement of what it already is!
This is my first foray into sculpting in a long time. This is a sculpted acorn, carved from a branch of a Live Oak cut down 2 years ago. As the wood was lying outside curing, I designed several pieces that I wanted to carve. This was not the first design, but it came about rather spontaneously and so it has become the first to be executed. I have no lathe and besides I preferred to carve it. I had no knowledge of Live Oak prior to this endeavor, but as soon as I tried to put a knife to it, I realized the challenge it would present. It is very dense, more so than other oaks I have used (reds and whites) and the grain seems to be even shorter than those others. I wanted the piece to be carved just as if it were turned on a lathe and so the hollow is carved into the grain, making it even more challenging. The cap of the acorn is a contiguous part of the branch. I used a myriad of tools to achieve the outcome, bow saw, hatchet, band saw, compound miter saw, angle grinder, Dremel with multiple accessories, drill press, Forstner bits, belt sander, and some I had to design.
I learned discernment from someone I knew years ago who could spot an 1/8" difference in length, balance, whatever and so I began to look more closely at discernment. It took a lot of constant refinement to get the shape balanced in regularity, vertical, proportional (the dimensions are based on the golden ratio) and delicate (the top rim of the bowl is less than 1/16" thick, I was amazed at how strong the wood was at that thinness) It was much like trimming your mustache, taking too much from this side means you have to take from the other. "How do you keep that in balance?", is the process..
The knarlyness of the acorn cap was the most difficult to accomplish. The knobs are in a distinct pattern that I found hard to duplicate and so for the sake of time, I made some random grooves, trying at least to simulate the look.
This is my first foray into sculpting in a long time. This is a sculpted acorn, carved from a branch of a Live Oak cut down 2 years ago. As the wood was lying outside curing, I designed several pieces that I wanted to carve. This was not the first design, but it came about rather spontaneously and so it has become the first to be executed. I have no lathe and besides I preferred to carve it. I had no knowledge of Live Oak prior to this endeavor, but as soon as I tried to put a knife to it, I realized the challenge it would present. It is very dense, more so than other oaks I have used (reds and whites) and the grain seems to be even shorter than those others. I wanted the piece to be carved just as if it were turned on a lathe and so the hollow is carved into the grain, making it even more challenging. The cap of the acorn is a contiguous part of the branch. I used a myriad of tools to achieve the outcome, bow saw, hatchet, band saw, compound miter saw, angle grinder, Dremel with multiple accessories, drill press, Forstner bits, belt sander, and some I had to design.
I learned discernment from someone I knew years ago who could spot an 1/8" difference in length, balance, whatever and so I began to look more closely at discernment. It took a lot of constant refinement to get the shape balanced in regularity, vertical, proportional (the dimensions are based on the golden ratio) and delicate (the top rim of the bowl is less than 1/16" thick, I was amazed at how strong the wood was at that thinness) It was much like trimming your mustache, taking too much from this side means you have to take from the other. "How do you keep that in balance?", is the process..
The knarlyness of the acorn cap was the most difficult to accomplish. The knobs are in a distinct pattern that I found hard to duplicate and so for the sake of time, I made some random grooves, trying at least to simulate the look.